Bronzino's painting of Eleanor of Toledo demonstrates the objectification of a woman, beyond simply emphasizing her beauty.  The dress in the painting developed into more than just a garment; it came to define Eleanor.  In fact, it was so closely associated with her being, it was believed to be the outfit in which she was buried.

 

In the sixteenth century, there was great competition between the textile industries of Spain and Italy.  Although Eleanor was originally from Spain, she married Cosimo de Medici, placing her within the most powerful family in Renaissance Florence.  To visually represent her alliance with her new home, Eleanor is dressed in Florentine silk, though the pattern of the fabric is rumored to be modeled after a Spanish design. 

 

The incredible wealth and beauty captured within the portrait turned it into a symbol of political and economic promise.  The exceptional elegance Bronzino captured within Eleanor’s face and the inclusion of her son, Giovanni, establishes her presence as a strong duchess during her reign, as well as providing for future generations.  The gown, more stunning than the woman within, represents both the financial strength of the ruling family, as well as establishing the Florentine silk industry as one superior to the one found in Spain.